#WINCHESTER MYSTERY HOUSE MOVIE SERIES#

Along with a descendant of the family that built the house-Steven Rimbauer (Matt Keeslar), who also happens to be ReardonвЂ™s lover-they explore the famously contorting mansion, and almost immediately encounter the angry spirits that live there.

Brown), an autistic teenager with telekinetic powers Cathy Kramer (Judith Ivey), an automatic writer Emery Waterman (Matt Ross), a psychic with retrocognition Nick Hardaway (Julian Sands), a telepath Pam Asbury (Emily Deschanel), a psychic television host and Victor Kandinsky (Kevin Tighe), a psychic with precognition. Reardon assembles a team of psychics to join her: Annie Wheaton (Kimberly J. In his nonfiction book Danse Macabre, King called Shirley JacksonвЂ™s The Haunting of Hill House-along with Henry JamesвЂ™ Turn of the Screw-the only two great novels of the supernatural in the last hundred years.вЂќ JacksonвЂ™s novel-about a team of investigators and psychics who go to a famous haunted house to either prove or discredit its status-is a clear influence on R ose Red, which follows a parapsychology professor named Joyce Reardon (Nancy Travis) who leads an expedition into an allegedly haunted Seattle mansion. King has been very blunt about why it took him so long to dip into the haunted house genre: because he was convinced the best haunted house novel had already been written. HereвЂ™s a look back at Stephen KingвЂ™s Rose Red, itвЂ™s many references and allusions, and why itвЂ™s one of the best haunted house stories of all time. And though itвЂ™s a victim of the limitations of early 2000s television, Rose Red is one of KingвЂ™s most ambitious and fascinating works a haunted house story that both wears its influences on its sleeve and weaves its own terrifying, grotesque mythology.

#WINCHESTER MYSTERY HOUSE MOVIE SERIES#

The series was inspired by a very real-and allegedly haunted-house, and served as a melting pot for some of KingвЂ™s prime horror influences. That three-part event series was Rose Red, about a mysterious home in Seattle that canвЂ™t stop growing-even though no living soul is building it. Horror maestro Stephen King has written his fair share of spooks, but he never really attempted a dense haunted house story until 2002, and not in his usual medium, but as a television miniseries. It sounds easy to breathe terrifying life into the bones of a creaky old manor, but getting it just right is the key, and so few horror writers or creators have successfully done it. The descriptions should be detailed, transportive should emulate the precise feeling of walking down a hallway, unsure of what lurks around the corner. The scares should be tactical and believable, as the setting dictates. What makes for a good haunted house story? ItвЂ™s not an easy feat to pull off.

Winchester mystery house movie